HUMAN WRECKAGE
Boxing Day and Time Machines
December 26th. It’s one of those
perfect Edmonton
winter days, pristine freshly fallen snow, a blindingly blue sky and a low pale
sun struggling to be as yellow as an egg yolk. If every winter’s day was like
this one I could sell the season to the good emirs of King Abdullah
Economic City,
and they can afford to fake the weather. Inside the house there are leftovers,
a mild hangover and the Rolling Stones turned way up loud.
There’s something about the old songs. I’m
convinced you pretty much stake your place in pop culture before you’ve shed
the awkwardness of your early, icky teens. And so a welcome gift from yesterday
resonates in more ways than one. I’m listening to ‘Hampton Coliseum (Live in
1981),’ a new release from the Stones’ From
the Vault series. The group or corporate entity is following the lead of
Dylan’s magical, oxymoronic official bootlegs. Springsteen’s on board; you can
now purchase E Street’s ’78 Cleveland
show at live.brucespringsteen.net. These aren’t barrel scrapings although these
ancient gifts will scour your wallet.
Earlier this year saxophonist Bobby Keys
and former Faces keyboardist Ian McLagan passed away within weeks of each other
(somehow Keith lives). Both men were in the band for the Stones’ ’81 American
tour.
I caught two dates of their 50 continental
bookings; both were long bus rides from Quebec.
One particular gig presented a dilemma for a 21-year-old rocker: the Kinks were
playing the Montreal Forum one night but the Stones bus to the States departed
at midnight from a long way’s away – what to miss? I now regret not seeing the
Kinks. It’s possible we could’ve done both but I fretted about getting west to
east through cross-town traffic. I chewed a gram of hash before we crossed the New York border for
their Syracuse Carrier Dome Show. Praise the Lord, there were two opening acts
before I came to. I slept through Molly Hatchet and somebody else, too wasted
to flirt with disaster.
It’s curiously life-affirming to hear these
particular renditions of the old songs again. I’ve come a long hard way since
‘81. We all have. Perhaps that’s when the Stones should’ve packed it in. They
were riding high on two decent, recent releases - provided you overlook
‘Emotional Rescue,’ that thinly sliced, bland deli meat in the ‘Some Girls’ and
‘Tattoo You’ sandwich. That year gave us their last great set list: a couple of
well-chosen covers, material that was fresh since their ’78 tour and
enthusiastic runs through of just a few of their war horses, songs people
demand from the Stones.
For me the Stones were all about kicking
backing, questioning authority and doubting the teachings of the Catholic
Church. You grow, you learn. Eventually you realize that rebellion doesn’t pay
off unless you’re being compensated like Mick Jagger. Ooh la la, if I’d only
known then what I know now. They looked gorgeous back then and I wasn’t
half-bad. Time waits for no one but it’s nice to go back and revisit old
friends in their heyday.
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