A FAN’S NOTES
CKUA: Alberta Public Radio
Radio and me, we’ve been together through
life. A fusty reminder of old ways, like subscriptions to a magazine’s print
edition or the ringing of a telephone landline, I never imagined falling in
love again with an apparently exhausted medium in the digitized 21st
century.
Our early days together were wonderful. I
frolicked on a seashore awash with station breaking invisible waves. Les
Canadiens skated left to right on the transistor dial. I boogied down with
Eddie Kendricks or the Rolling Stones on AM Top Forty. Montreal Expos baseball
broadcasts were even better during rain delays, colour man and Brooklyn Dodgers
legend Duke Snider related stories about teammate Jackie Robinson: ‘I remember
once in Japan,
the Dodgers were on a tour, Jackie and me…’ Over on FM where there was no
static at all: just a high deejay giggling underneath ‘Interstellar Overdrive’
or ‘No Woman No Cry.’ There was magic on the air.
Modern commercial radio suffers from the
malady of all traditional media: corporate congestion and increasing generic
content, the quality of which slides ever downhill. Seemingly overnight it
became a strictly formatted wasteland of rabid talk and zany morning zoo crews.
And c’mon, are Creed and Limp Bizkit the best you got? God help me if I ever
hear another twee Vinyl Café story about Morley and Dave.
Soul salvation has come from a station
that’s been on the air since November 21, 1927. The genesis of CKUA was the University of Alberta (note the call letters) attempting
to utilize this new-fangled technology known as radio as an educational tool;
early distance learning, if you will. The CKUA network now blankets the
province and, as they are fond of telling listeners, may be heard around the
world at CKUA.com (I urge you to tune in). In this house, provided we’re home
and not asleep or not playing albums, CKUA is on.
The landline rang earlier this week. After
some consternation and confusion we realized what the sound was. CKUA was on
the line: a follow up call to say thanks again to Ann for contributing toward
another year of programming. Touched, for a dollar a day and touched to be part
of an incredibly interesting and special community that loves music as much as
Ann and I do. At CKUA the hosts matter. They pick their own tracks. Each is
fully immersed in hers or his genre. Enlightenment lives on the FM dial.
My favourite show is Dead Ends and Detours
which comes on Saturday mornings at 10 (MT). Host Peter North’s jumping off
point is the Grateful Dead. The ripples widen into the sounds of the various
offshoot bands and into the catalogues of the hundreds of musicians who have
swum within the circles of the Dead. It softens me up for the next program,
Allison Brock’s Wide Cut Country and, well, we may get a gunfighter ballad or
Steve Earle or Gram Parsons. The safe bet is a helping of Guy Clark and a scoop
of everything else.
To me, Dead Ends and Detours should be on
Fridays after dark, but there are only so many hours in the night. We would
miss the wee Celtic Show; everything is wee to the host: the songs, albums,
conversations with fiddlers. I said once to Ann, ‘He’s probably a Jewish guy
from Brooklyn, I mean, can an Irish brogue
really be that thick?’ The wee show is followed by the Friday Night Blues Party,
essential listening. And if the Deadheads moved to Saturdays we’d lose Lionel’s
Vinyls which is not acceptable.
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