A FAN’S NOTES
Gordon Lightfoot
If I do not suffer the ignominy of dying
abandoned and unmourned, I want Gordon Lightfoot’s ‘Old Dan’s Records’ played
at my wake. And I hope my friends and relatives will then go through our music
collection and share a laugh and a tear spinning the old songs; ones that
elated me and ones that depressed me, ones I loved.
There is some musical talent in our family,
but like my father’s gift for carpentry, nothing of the sort was bestowed upon
me. Recorder classes in grade school were as agonizing as arithmetic and
French. Music is one of the great joys of the accident of existence. Every
songwriter, singer and musician wants to be heard. I have happily embraced the
role of fan.
Fandom is akin to juggling on a high wire:
blind love must be tempered by a critical ear and creepy obsession must be
tempered by mere blind love. The listener keeps going back to that album, that song even while demanding the artist to grow and evolve yet
release more like that. Live
performances have become problematic. Concert tickets are expensive. While
hardcore fans may be more opened minded regarding an artist’s in person
foibles, casual goers want to hear those
songs, greatest hits as they were recorded, please; a delicate balance for
every involved party.
Last night we saw Gordon Lightfoot in an
elegant theatre with incredible acoustics and clean sightlines. Every
honourific cliché hangs like a medal from the lapel of his velvet jacket:
genius, legend, icon. At 75 he looks at least as cool as Keith Richards, Bob
Dylan and Leonard Cohen, in other words, far beyond my own middle aged dreams
of hip. There is a frailty too, the deep, rich voice has diminished and certain
lyrical phrases sound slack and slightly slurred. ‘Reports of my demise have been
greatly exaggerated,’ he told us although his various and relatively recent
health issues were national news.
Lightfoot has written so many great songs
that a list of five or even ten seems a discourtesy, a life’s work reduced to
arbitrary ascending or descending digits. Canada is a big, empty and diverse
country but it’s looking like we may yet make it to the 150th
anniversary of Confederation. And you shall know us through Lightfoot’s
‘Canadian Railroad Trilogy.’
The reeling jig of ‘Old Dan’s Records’ was
too much to hope for, so why bother. It is the upbeat stranger in the generally
down and heavy Lightfoot canon. Walking through the dark to the auditorium I
kept thinking: Please, God, please, Gord, play ‘Early Morning Rain.’ If you
only do one song about heartbreak, about being alienated by the changing times…
We’ve got at least two versions by you and covers by Neil and Bob. Elvis sang
it. Gram Parsons should have and I can hear the Stones demolishing it with
gusto: piano, Mick on harmonica, ragged acoustic guitars and Charlie gently
brushing his drums. Please, Gord… I really love that song.
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